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Perhaps this isn’t actually a bad thing, maybe this is just what the genre needs to re-energize it and then sweep back in with the viciuos vampires of yesteryear.

I want to suck your blood, and then call you in the morning…

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Cast: Dennis Quaid, Ben Foster, Cam Gigandet, Antje Traue, Cung Le, Eddie Rouse, Andre Hennicke, Norman Reedus

Now, onto the flaws… I think one of the only characters I found flawed was the masked man himself. Am I the only one who found it sad and inappropriate that Jason suddenly was running after his victims? Never in any of the previous 11 Friday the 13th movies did Jason ever have to run to catch up to his “prey”. It was a neat and spooky effect that all he ever had to do was create his menacing walk and no matter how fast and how long the victim ran, Jason was always, always there, with no effort. It added to the strength of his character. Now, all of the sudden, he has to charge after them with full speed, and his arm strength seems to take more effort. In the older movies, he could snap a neck or throw an ax or other sharp object, or push a face thru a wall with just the flick of the wrist. Now it seems like he has to put a lot more force into it. They made him seem too human, and less like the undead, menacing creature that he really is. Lastly, his clothes are all wrong. In the old movies, he had work pants, huge work boots, and flannel shirts that may not have been worn out, but that were not new and that matched his scary physic. In this movie, we find him wearing what look to be a new pair of jeans, a less faded flannel shirt, and yes, sneakers. What? These clothes did nothing to help his image. And to top it off, they picked a scrawny looking actor to play him. Jason never had chicken legs until now.

I did enjoy the movie very much, and can’t wait for it to come to DVD. I can overlook some of the unusual events in the movie, such as the tunnels and Jason capturing the girl for no reason, but it’s very hard to ignore the inconsistencies with the main character.

Cast: Vera Farmiga, Peter Sarsgaard, Isabelle Fuhrman, CCH Pounder, Lorry Ayers, Jimmy Bennett

Cast: Gianna Jun, Masiela Lusha, Allison Miller, Liam Cunningham, JJ Feild, Koyuki, Colin Salmon, Michael Byrne, Andrew Pleavin

Cast: Natalie Bassingthwaighte, Jesse Johnson, Natalie Walker, Ben Kermode, Christian Clark, Nicholas Bell, Pamela Shaw, Kristin Sargent

When a team of young convicts (mostly low-level crimes, including a cute female animal rights activist arrested for liberating a passel of lab animals; plus a couple of really unlikable nastier criminals) are sent, along with correctional officer chaperones, to the old building to clean it up as part of work release rehabilitation, the building’s tenant has a fresh supply of targets. Also in the mix is the cop who nearly brought Goodnight down a couple of years previous.

A bare-bones story is helped along towards the end by flashbacks starting to detail the origins of the Goodnight character, and by some abrupt, and surprisingly effective, swerves in the character’s psyche. There are certainly a few problems with the story. For starters, only a few of the characters are at all likable, and nobody really seems like they should pose much of a challenge for Jacob. That’s occasionally been a problem in other, similar movies (a couple of the Elm Streets, for example) and they’ve sometimes gotten around the conundrum of having normal humans stand a chance against an extremely powerful antagonist through a key weakness in the character or through an extremely well-timed convergence of events that opens up an opportunity to level the playing field. Though a few have been a little too convenient, they’ve often at least made it plausible that well, yes, if the other guys Did manage to have such a stroke of luck befall them, they really might stand a decent chance. (And without suddenly making the antagonist look weaker than in the earlier going) Here though, nothing really adds up with how Goodnight decimates everybody in the first three quarters of the film, and then suddenly he runs into a lot more trouble taking out his victims.

Also, a couple of moments that I think were intended to be humorous fall squarely on their face. Overall though, “See No Evil” delivers a fine movie with an adequately distinctive – and visually memorable – villain, some very visually memorable female cast members (even though the characterization in some cases could have used work), good special effects, and a good working of angles in the last fifteen minutes or so that, while not a twist ending, suddenly adds a more interesting and tragic aspect to Jacob. I wouldn’t at all mind seeing this story continue on with a sequel or too. For those who only dip into horror occasionally, See No Evil isn’t really the best choice. But those who love horror movies – especially if that includes ones like Friday The 13th, Nightmare On Elm Street and Texas Chainsaw Massacre – are likely to really enjoy See No Evil despite a couple of shortcomings.

Night falls, and the vampires come out to play. They’re ugly, deadly, and very thirsty. These are real vampires, evil and blood-driven, not the obscene domesticated vampire who wants to help humanity or the romanticized vampires of Rice and Hamilton’s silly erotica novels. Their gory invasion is swift and thorough, leaving behind very few survivors. Those left must huddle together, hidden in various houses around the town as they wait for the far off dawn. The gore level escalates as the survivors discover that those bitten must be beheaded in order to keep them dead. Survival seems doubtful as the long night wears on, and the vampires just keep coming.

The best part of this movie is the vampires. I must say that they’re pretty sloppy eaters, leaving lots of blood strewn about in the wake of their feasting, their mouths and clothing dripping with blood, and still gushing meals abandoned. You got to love those inky black eyes, though, and the way they keep the gore level up to entertaining levels. The survivors, however, seemed a bit wooden. Their dialogue was weak, and the characters not fully developed. This made it harder to identify with their plight. The scenes of the desolate town were adequate, but the soundtrack was also weak, not helping to build any suspense around the predicament of the survivors.

Over all, I was gratified enough by the vampires to make this an enjoyable horror flick. Recommended for fans of the old-fashioned horror-vampires, the human-cattle herders of old. Rent first before buying. Enjoy!